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Technical Content Lead
Andy Francis is an A/V nerd at heart who has spent the last 15+ years sending audio and video over the internet. He has extensive experience working with everything from video conferencing to live event streaming to large-scale OTT platforms and is passionate about spreading knowledge and access to streaming technologies.
Globo’s content and reach When it comes to content scale and audience reach, Globo is on par with Hollywood and the big US broadcasters with over 3,000 hours of entertainment content being produced each year. The viewership numbers are equally impressive with forty-nine million Brazilians watching the daily, one-hour newscast and Globo’s Digital Hub attracting…
NVIDIA GTC Video Streaming Workflow Highlights NVIDIA GTC (GPU-Technology Conference) is an annual conference with training and exhibition for all aspects of GPU(Graphics Processing Unit) accelerated computing. GTC 2024 was held in March with the tagline “The Conference for the Era of AI” and as expected, generative AI was a huge focus this year. There…
Introduction In the early days of digital video, encoding a full-length movie could take several hours or even days to complete, depending on the settings and techniques that were used. Over time, as processor speeds increased and specialized hardware was introduced, encoding turnaround times decreased, but it was usually an incremental, linear response to the…
Introduction At a recent internal hackathon, two of Bitmovin’s software engineers, Myriam Gantner and Thomas Sablattnig, explored whether AI could be used to process the large volume of data captured by Bitmovin Analytics into concise summaries and recommendations. The project was a success and is now being developed into a feature that is now available…
Everything you need to know about SCTE-35, the popular event signaling standard that powers dynamic ad insertion, digital program insertion, blackouts and more for TV, live streams and on-demand video. What is SCTE? The acronym SCTE is short for The Society of Cable and Telecommunications Engineers. SCTE is a non-profit professional organization that creates technical…
Introduction The post will explain how Per-Title Encoding works and the advantages of using Per-Title Encoding compared to using the same bitrate ladder for all your content. Per-Title often requires fewer ABR ladder renditions and lower bitrates that translate into storage, egress and CDN cost savings. It also improves QoE with less buffering and quality…
Introduction The story of Bitmovin began with video research and innovation back in 2012, when our co-founders Stefan Lederer and Christopher Mueller were students at Alpen-Adria-Universität (AAU) Klagenfurt. Together with their professor Dr. Christian Timmerer, the three co-founded Bitmovin in 2013, with their research providing the foundation for Bitmovin’s groundbreaking MPEG-DASH player and Per-Title Encoding….
Introduction This post will provide some background information on video codecs and the pros and cons of the most common codecs used by streaming services. We’ll discuss why you should be taking advantage of newer codecs and the many benefits they can provide. Finally, we’ll provide a step-by-step guide through the factors and questions you…
Bringing Industry-leading Turnaround Times to Short Form Content Bitmovin has recently seen an increase in demand for processing short form video content and faster turnaround times. This post will cover the most common use cases for short form video and how our new GPU acceleration for VOD encoding will benefit and add value for those…
What is Adaptive Bitrate (ABR) Streaming? Adaptive Bitrate Streaming (ABR) is a technology used in modern video streaming applications that can dynamically adapt in real-time, in order to provide the best quality for each individual viewer. ABR streams take into account network conditions, screen size and device capabilities and can adjust on the fly to…
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